Theory of relative generality

THE WRITER’S LIFE

Writing history can often require a lot of self-discipline, especially when the researcher is keen to learn much, about many things. And so it is with a character I’m creating in a new story, and with me. In science fiction and in fact, there are links, concentric circles and cycles, which give a thing structure.

Relative generality

It’s a fact that all links on Wikipedia eventually lead back to philosophy, and Wikipedia is a very pleasant way to spend a few lost hours, just clicking on links and reading more and associated articles around a subject. Most of my family history research has been in online archives, censuses, and local history groups, but Wikipedia is also useful (and distracting) alongside.

I was researching my maternal nan’s house in Tudeley, Kent, and the records are thinly spread, but I’ve concluded that the house was originally built as a farm house for farm workers. This would be entirely in keeping with my family’s farm labourer roots.

The first family I can find living there were the Bowles family, listed in the 1881 census. Given the size of history (it’s as big as space, and that’s very big indeed), I can only research and write so much, when it’s going into a book based around my family. So tempting as it is to wander off, I’ve tried to restrict myself to the relevant details, including the first recorded use of buildings and the more interesting stories of those who lived within and thereabouts. But like the universe in sci-fi, and philosophy on Wikipedia, everything can eventually link back. I like to form circles in writing, at the same time metaphorically placing rings around things for further reading.

History and economics are cyclical, and it was by coincidence that I watched a documentary on British invasion recently: Not the days of empire and slavery (none of my family’s employers’ families have links to the slave trade, but if they had, I’d have delved further. As it is, they were wealthy but self-made, and with a social conscience), but further back in ancient history. Most of my ancestors were farm labourers, with housing that came with the job. Like my family life, it was communal but not communist. It’s the farm workers and farming itself which led me on a digression into the further past.

I looked at invasions of Britain, or immigration into the country. Thanks to recent advances in DNA technology, research has found that Britain has a long history of immigration and invasion before that which is generally known, as it’s only now being discovered. Long before the Roman and Norman conquests, Britain was home to prehistoric natives, as far back as the Stone Age. In Ightham, where we lived for 12 years, there are remains of Palaeolithic settlements. Recent discoveries suggest that one of the first invasions of Britain was an altruistic and evolutionary movement, when Stone Age implements became tools. The hunter-gatherers of the time developed farming, eventually growing crops and raising livestock. As an aside, the so-called Celtic invasion was more one of fashion invading culture, as humans became more artistic.

Pinning down a definitive family line is especially difficult when the family played mainly supporting roles in history, rarely making it into anything recorded outside of the census. But it’s romantic to think that our ancient ancestors may have been some of those friendly invaders who taught the cavemen to farm.

Having researched my family name already, establishing it as (in our case) either an occupational one (we fished from lakes), or residential (lived beside lakes), I decided to take another quick digression back in time, to find the origin of the word the name is derived from: Lake.

The word has its roots in Anglo Saxon, so it’s logical to conclude one of two things, even with the little recorded history of individuals I have: Either we were part of the Germanic tribes from continental Europe from the 5th century, or we were here already, living by lakes, or fishing, and then we took up farming. It’s impossible to confirm either way, but returning to romanticism, we were always a peaceful folk, either exploring and discovering, or working in communes to improve a way of living. We were always a bit left-wing.

In the family history book post-digression, I’ll be in Ightham for a while longer, recalling more personal stories from the past, linked with wider events in history. As it moves forward, it will end in the 1980s, times of change for the country, and for us as a family, when one of the owners of the big house becomes involved in a Stock Exchange scandal, and we have news reporters camped at the end of the driveway. It was also the time of the Cold War, and the eve of great global changes, in politics and elsewhere.

Back in sci-fi land, I’m writing the last two stories for The Unfinished Literary Agency (out in January), with one set in a post-human world of animals and machines. There’s a human there, finding her way around on a planet where her ancestors once lived. She’s trying to find something for her son, back on her own home planet. It’s a plot device, which allows people to speak in fiction about that which they can’t in real life. It’s what The Unfinished Literary Agency was set up for, way back in her family’s history, and she thinks it will help her son. He’s lost, as she once was, unsure of how worlds revolve outside of physics. But it’s quantum physics which connects us all.

Each of us is linked, through no more than six degrees of separation. Like me, the girl is trying to connect past and future to make a circle among others, where people can find their place.

Life can’t be reset, but look inside yourself, and you will find the return to innocence. And from there, that’s the beginning of the game, of another life.”

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Life beside the lake (by bus)

THE WRITER’S LIFE

I’ve found myself somewhere I never realised I wanted to be, in a position where I could take some time off if I wanted to, but I don’t know why I’d want to do that. So rare is my current circumstance that I don’t really have a name for it: perhaps a forelog, that being the opposite of a backlog. I’ve got new stories lined up for publication over the coming weeks, allowing me to concentrate instead on a matter of the heart.

Lake fishing

As an aside, my family name is one derived from a profession: a Laker was one who fished on lakes, where a Fisher fished rivers. The matter of heart, is a book about some of the Lakers.

Meanwhile, there are two short stories in the sausage machine. ‘So Long and Thanks for all the Animals’ is a nod to Douglas Adams only in title. The story begins with strange carvings found in nature, and a device discovered by two school friends while metal-detecting in a woods. What if our planet was trying to give us a message, and the first thing we noticed was the self-harm marks it had made on itself?

‘The Long Now Clock’ is about a caretaker at the Long Now Foundation, which houses a clock designed to keep the time for 10,000 years. The story revolves around a conversation she has with her android assistant, about a message picked up by SETI. The two of them speculate on what might come, concluding in part that any visiting race with the technology to come to Earth would most likely be one so far evolved that they’ve transcended war. The story is mainly dialogue, as a robot and a human compare what it’s like to be each of two co-existing species, and of how each envies the other for different reasons.

Like my most recent short story, ‘Diary of a Teen in the Woods‘, “a metaphysical tale of the spiritual, subconscious world”, the next two have an element of surrealism, while retaining a plausible grip on science. They’ll be in Schlock web zine, where I’m pretty much a staff writer, and one recently compared with surrealist writers like Julio Cortazar and Otrova Gomas for Cyrus Song, and whose stories arealways underlined by a salient sense (and deep understanding of) the human condition”, according to one review of my anthology.

It suits me not having to punt work around, and Schlock’s editor has supported me as a writer from the start. Now that I’m better established, mine is a name which readers are used to seeing on the cover, and with over 50 stories accepted by the editor, they must like me. I know that I have favourite writers in the various periodicals I read, and I’d feel it almost a personal affront if one of them left their publications. Plus, I’m lazy, but only like all those other writers who don’t leave what’s effectively a house publisher, and who feel a loyalty to their readers.

All of which means I have a few weeks’ clear water, during which I’ll maintain my forelog but concentrate mainly on my next book. The book has become a well-known secret in some small circles. It’s the format which has caused me trouble: How to tell the story; how to write the book. But after much internal dialogue, I’ve come up with what I think is the best way to write the book as the gift it is, using the gift I’m expressing gratitude for.

It’s a book about two people, who passed through some noteworthy estates when they worked for the owners. They’re two people who may have gone otherwise unnoticed, if their son hadn’t become a writer. After all I put my parents (and many others) through when I was drunk, and now that our relationships are closer than ever, writing a book about them seemed a nice gift, made by the hands they gave me, and which I subsequently found out were for writing. So the book will be a collection of stories and anecdotes, mainly about the things my parents did and the historical places of interest they worked, and how that influenced me in later life, eventually to write the book, but it’s not about me. Over the next few weeks, I’ll be plotting it, writing the basic structure and beginning the narrative. It’s still pencilled in for publication in March next year, and I’ll have a second anthology out not long after, now with the working title ‘The Importance of Discovery’.

When writing has become my life, I don’t see any reason to take time off. This period of being ahead of oneself is like a busman’s holiday, and one taken beside a lake.